18 June 2021
All of thirteen years old, Dependent Zabrinna Santiago is a promising young ballerina who recently wowed the judges in the Live Youth American Grand Prix for Junior Age Division in Classical Dance category, garnering a coveted spot in the Top 12, held on 9-11 April 2021, in San Diego, California, USA.
How does it feel to be in the top 12?
Being able to compete live again after a year of lockdown was a surreal experience. I wanted to enjoy the moment with no expectation. I am grateful to have done well and happy that I placed in the Top 12.
When did you start dancing ballet? When did you join Dancespace Academy?
I was 5 years old when I started ballet. So I joined Danspace in 2012.
At what age did you start competing locally and internationally? Tell us more about your experience.
I joined my first local competition in 2015, so I was about eight years old. My first international competition was when I was nine years old. I competed in Hong Kong at the Asian Grand Prix and ranked in the Top 6 of my division.
How do you condition yourself before a competition?
It takes hours of practice to prepare for a competition. I train almost every day to rehearse the dances and work on improving the technique and artistry each time. I also do conditioning outside of dance to build on stamina and strength.
Who is your favorite ballerina and why?
There are a few. It is hard to choose but I think if I had to pick one, it would have to be Skylar Brandt because when you watch her dance, she looks like a swan. She makes everything look so easy and I hope to achieve that one day.
How do you practice at home especially since there are no face-to-face ballet classes because of the pandemic?
I am lucky enough to have space to be able to practice. Many of us have invested in our own ballet barre for the home, as well as a special floor so it’s easier to dance.
https://www.youtube.com/watch?v=HeGLGGZ6FqI
Describe the best performance you’ve ever put on. What did you learn from it?
I have been lucky enough to have tried a number of variations for competition like Coppelia, Kitri, Sleeping Beauty, and Harlequinade. Each one has its own challenges but all are enjoyable. I learned that you need patience in learning and perseverance to get it close to perfect. Each variation changes and improves in time. Each has its own character and you need to learn to get into that character.
What other competitions are you planning to join in the next few years?
I am not sure what I’ll be joining in the future but I know that I would like to compete in YAGP again.
Have you ever forgotten a step during a presentation? What did you do?
Thankfully, I have never forgotten a step in a performance, but sometimes the condition of the stage can be difficult, like if it’s too slippery or too sticky. I have learned to anticipate and make adjustments when needed.
What do you think are the most important qualities a ballerina should have?
I think a sense of creativity because it’s important not just to have the technique but also to have artistry because you don’t just want to step on the stage and look plain. You always want to add a little drama to it.
What advice can you give other dependents or young ballerinas who aspire to compete and win in the global ballet scene?
To be patient and take everything one step at a time. Focus on the quality of your technique because it provides a very good foundation for all dancers.
